Japan's cellphone novels

Are they the soap operas of the digital age, Japanese-style? [Maybe some American kid will break the gender barrier of Japan's cellphone novels and write the sci-fi version of Huck Finn's adventures on his cellphone. How 'bout it, English teachers?! Though maybe not till US cellphone companies make unlimited texting cheaper!)]

Anyway, they're serial text messages - sometimes 20 screens or 10,000 words a day - posted by mobile phone to a blogging site. Cumulatively, they become full-blown romance novels that, in book format, would be several hundred pages long. The best of them do become published books. By the end of last year, cellphone novels "held four of the top five positions on [Japan's] literary best-seller list," The New Yorker reports. [Though there is some controversy in Japan over the use of that word "literary," some argue that the world-famous Tale of Genji, written more than 1,000 years ago, was the original cellphone novel.] Maho i-Land (meaning "Magic Island"), "is the largest cellphone-novel site" with 1 million+ titles. Besides the potential readership and - possibly - income, part of the appeal for their writers may be that they can be written in bed (hmm, think about that too, English teachers). ReadWriteWeb.com reports that the site - kind of a literary version of Blogger.com - "provides tools for people to write their own mobile phone novels." US versions of Magic Island, both in beta, are Quillpill.com and textnovel.com, according to The New Yorker.

Interestingly, they're not hurting book sales; they've added a whole new genre, printed in gray or colored text and left to right on the page, as on a phone screen, according to The New Yorker (which adds that 82% of Japanese 10-to-29-year-olds have their own cellphones). One mobile novel (or keitai shousetsu) publisher speculated for ReadWriteWeb that the book versions are like "keepsakes" for the blog readers, many of whom had posted suggestions and critiques to the novel bloggers and "end up feeling as if they had a hand in helping craft the novel."

The stories they tell are strangely at the same time empowering to their writers and demeaning of women (the latter because so culturally conservative: depicting women "suffering passively, the victims of their emotions and their physiology; [yet] true love prevails"). The market for this is seemingly bottomless. The moral of one best-seller-cum-box-office smash hit: "not that sex leads to all kinds of pain, and so should be avoided, but that sex leads to all kinds of pain, and pain is at the center of a woman's life."

Two more of many fascinating cultural and literary notes in The New Yorker piece: 1) the anti-fame attitude and m.o. of even the most popular authors, shy of posting photos of themselves with their content (which is "consistent with the ethos of the Japanese Internet"); and 2) "In the classic iteration, the novels, written by and for young women, purport to be autobiographical and revolve around true love, or, rather, the obstacles to it that have always stood at the core of romantic fiction: pregnancy, miscarriage, abortion, rape, rivals and triangles, incurable disease. The novels are set in the provinces - the undifferentiated swaths of rice fields, chain stores, and fast-food restaurants that are everywhere Tokyo is not—and the characters tend to be middle and lower middle class. Specifically, they are Yankees, a term with obscure linguistic origins (having something to do with 1950s America and greaser style) which connotes rebellious truants - the boys on motorcycles, the girls in jersey dresses, with bleached hair and rhinestone-encrusted mobile phones." I used to see this greaser look among some of the thousands of young people who gathered at Hachiko in Shibuya weekend evenings when I lived there even back in the late '80s.

It'll be interesting to see how much cellphone authorship takes off on this side of the Pacific - a mainstream or vertical interest like anime? We've seen teen bloggers become book authors, so why not teen texters? And will this be done in the classroom, along with podcasts, wikis, social networking, blogs, and virtual worlds? I'll keep you posted on what turns up!

Do cellphone novels repel or intrigue you? Post in the forum or email your thoughts to anne[at]netfamilynews.org!

Disney's UK kids portal

Disney says it's about to launch a site for UK children and tweens. Disney.co.uk will be a portal pulling together the company's assets (including social networking) for kids, Reuters reports. "At its heart [is] a feature called Disney Xtreme Digital" in which users can "customize multimedia content simultaneously while watching and sharing videos, messages, music, and games." It'll be interesting to see what is meant by "social networking," but Reuters says "online parental-protection measures are wrapped into the site, along with functionality that prompts children to use Disney-proposed online-chat phrases that have an emphasis on being polite while also using language that can reflect whether the user is looking at content focused on pirates or princesses."

Oz kids: Pros on Web

Most Australian children go online for the first time between the ages of 5 and 10 and quickly become Net regulars, "with two-thirds of children logging on from home at least twice a week and 43% doing so daily," Australian IT reports, citing a new report from Nielsen/NetRatings. Nearly half of Australians 6-17 are online daily, the study also found. Older teens "are wedded to the world of Wikipedia, email and social networking, with 75% of those aged 15 to 17 going online daily for study and to chat with friends." Adults with children are likely to be more Net-literate than those without, and parents have "a high level of trust" in the way their kids are managing their personal info online, according to Nielsen. On a recent visit to Oz, author and pundit Howard Rheingold had some thoughts for parents, recorded in the Sydney Morning Herald. And brace yourselves, fellow parents Down Under: video-sharing just got more convenient and local for your kids; YouTube launched its Australian site, Australian IT reports that YouTube just launched its Australian site.

Social stuff taking over Web - worldwide

Wherever you are in the world, parents, your teens’ social networking seems to be here to stay. Online video and social networking are outpacing all other uses of digital media worldwide, according to international market researchers Ipsos, and social networking “is quickly becoming the dominant online behavior globally." In terms of frequency of visits to social sites, South Korea leads the way, followed by Brazil, China, Mexico, US, UK, Canada, India, Germany, France, Japan, and Russia. “While 20% of regular Internet users worldwide had visited a social networking site in the previous 30 days, the figure was 55% in Korea and 24% in the U.S.,” according to MediaPost.com’s report on the Ipsos study, “The Face of the Web.” And this study was just of people 18+. As for the UK, Nielsen/NetRatings has a more granular picture: MySpace is “well in the lead with 6.5 million UK users, compared with 4 million for Bebo and 3.2 million on Facebook,” the BBC reports, but the latter two are growing there much faster and could quite possibly catch up to MySpace in the fall, the BBC cites Nielsen as saying. Then there’s time spent: MySpace users “spent an average of 96 minutes on the site in May,” compared to 152 minutes for Bebo users and 143 minutes on Facebookers.